PDFF 2013 PDFF 2013
dir. Pedro González-Rubio, Japan, 2012, 72 mins
Screening times
May 16 19:30, Kinoteka 3 Buy online
May 17 17:00, Kinoteka 2 Buy online
May 18 19:00, Kinoteka 2 Buy online
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About the film

At the invitation of Japanese director Naomi Kawase, González-Rubio (maker of “Alamar”, Tiger Winner in 2010) made this beautiful prize-winning documentary about the last - and increasingly ageing - inhabitants of a spectacular mountain area near Nara.

Pedro González-Rubio, who won the Tiger Award in 2010 with “Alamar”, was invited by Japanese filmmaker Naomi Kawase to take part in the project NARAtive at her Nara Film Festival. The only condition was that the film be set in the surroundings of her birthplace, Nara, the capital of Japan in the eighth century.

So the documentary Inori shows a life that has almost come to a halt in a mountain village beautifully situated in a valley between thickly forested hills with an abundance of water. You used to hear children playing everywhere, one inhabitant remembers, but now the school has closed. The lack of work has driven young people away. Only a few old people have remained behind, musing during their daily activities about the way things were. Soon the mountain will just be a mountain, someone remarks nostalgically. González-Rubio records it in calm images in which nature is ever present. A certain thematic link with ”Alamar” is obvious.

Wybrane nagrody i festiwale / Selected festivals and awards: 2012 – MFF Locarno: Grand Prix w sekcji Cinema of the Present / Locarno IFF: Cinema of the Present Award, 2013 – MFF Rotterdam / Rotterdam IFF, 2012 – Festiwal Nowego Kina w Montrealu / Montreal’s Festival Du Nouveau Cinema, 2012 – MFF Baja / Baja IFF, 2012 – MFF Morelia / Morelia IFF


Reżyseria/Directed by: Pedro González-Rubio
Zdjęcia/Cinematography by: Pedro González-Rubio
Producenci/Producers: Naomi Kawase

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Dla mnie "Nad morzem" było kiedyś odkryciem, więc nowy film Pedra Gonzáleza-Rubia odrobinę mnie rozczarował, ale tylko odrobinę. Bo w gruncie rzeczy mi się podobał, tyle że uważam, iż estetycznie został zdominowany przez producentkę. Efektem był raczej nowy film Naomi Kawase niż Gonzáleza-Rubia, lecz cóż, poczekam na to, co nowego ten reżyser nakręci, już samodzielnie. (Jarosz)